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Transducer
Analogue
Speaker- and Micing-Simulator
Model 2601 |
In a cooperative
developmental effort with German guitar amp specialists
Tonehunter, SPL presents a new 2U, 19-inch format
guitar speaker and microphone stand-in called the
Transducer. It functions free of latency issues and
with amps up to 200 watts.
The Transducer is connected and operated exactly like
any guitar speaker box so that a guitar amp‘s
distortion can also be integrated into the sound design.
| Main
advantages |
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Authentic
sound qualities and real time response for the
guitar player – in contrast to digital simulations
with latencies in processing |
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Independence
from volume levels during performances or recording
sessions |
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Independence
from room acoustics in recordings |
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Greater
sonic flexibility in comparison to fixed box/microphone
gear |
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Provides
for a live signal in recording quality without
crosstalk from miking |
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Great
space and weight reduction in transport |
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Time-saving
setup and simplified experimentation with sound
variations |
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No
phasing problems with track doubling thanks to
latency free design |
• |
Hearing
protection from in-ear monitoring in any kind
of session, whether studio, live or private |
The TRANSDUCER sports two main controls
to adjust its sound: "Speaker Action“ works
analogous to a speaker‘s cone behaviour at different
levels through to an audible cone distortion effect.
Similarly, “Miking Level“ recreates a
microphone‘s characteristic at different recording
levels.
Further switchable functions allow the choices of
alnico or ceramic speakers, closed or open housings,
condenser or dynamic microphones as well as adjustments
to miking distances.
Connection
diagrams recording and live setup |
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Demos
- Recorded
through an Edirol USB-Interface on a Notebook.
Playback drums played by Alex Vesper.
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Clean
& Smooth Lead |
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| 4
tracks: Strat through Fender Twin
Reverb Left and right, Les Paul
through Tonehunter Amp Lead and
Slide. No EQ, no processing, except
for Clean Fender and Slide with
mild compression, reverb plugins
for lead and slide tracks to gain
depth. |
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Classic
Marshall |
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| 4
tracks: rhythm left and right, picking
and lead. All sounds recorded with
a fully torqued Marshall JMP 50.
No EQ, no processing, reverb plugin
on picking and lead tracks. |
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Modern
High Gain |
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| 3
tracks: rhythm left and right, lead.
All sounds recorded with Les Paul
and ENGL Savage 120. No EQ, no processing,
rhythm dry, reverb on lead track. |
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Smooth
Lead |
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| 2
tracks: clean, lead. Both tracks
recorded with Tonehunter Double
Trouble 80 Watt. No EQ, no processing,
reverb plugins for depth. |
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Texas
Blues |
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| 2
tracks: clean, lead. Both tracks
recorded with Marshall JTM45. No
EQ, no processing, reverb plugins
for depth. |
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Rough
Vintage Strat |
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| 1
track: Strat through Fender. Super
Reverb. No EQ, no processing. |
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| Sparkling
Rhythm |
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| 2
tracks: rhythm 1 left, rhythm 2
right. Recorded with Strat via Tonehunter
5 Watt Class A Amp. No EQ, no processing.
Reverb plugin on rhythm 2 track
(right). |
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