Stirling News

News Articles
Now Hear This - ExCel London, CEDIA 2007
Audient’s 008s help Kautzsch at Bach Time..
SFL at the CRE
Aphex Anaconda Model 828 due March 2007
Audix' Cliff Castle gets behind Watford FC for FA Cup
Metric Halo Announces ChannelStrip Accelebration!
Aphex 1788A's at the Grammy's
Audix Press Release 'DP7'
Hear Me Now - Hear Technologies
'Now Hear This' in the UK
The Who's Summit
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Now Hear This - ExCel London, CEDIA 2007.
July 07

Andrew Stirling (Stirling MD) & Chris Minto (Director, NHT) at CEDIA 2007

Stirling Trading (UK) Ltd. are pleased to announce the launch of their Home Theatre division with the acquisition of California based NHT (Now Hear This) home theatre products. Stirling and NHT used the CEDIA 2007 show to introduce the line to the UK, which includes outstanding home theatre speakers, processors and amplifiers.

Over the last 30 years NHT’s cutting edge designs have won them a world-wide following in both the consumer and professional audio markets. NHT’s comprehensive product line includes solutions for stereo as well as 5.1 surround sound installations with the ‘Xd Series’, ‘Evolution Series’, the award winning ‘Classic Series’,’ and of course, the custom installer’s favourite, the ‘Architect Series’.

NHT’s Professional Division Director, Chris Minto said of Stirling’s exclusive distribution agreement “having worked with Stirling for 10 years on the professional side, I’m very pleased that they are now embracing the home theatre market. After 20 years of supplying and supporting some of the UK’s finest producers, artistes and studios, they have established themselves as the leaders in professional audio. They now bring this wealth of knowledge and a unique capability to provide excellent customer service to the home theatre customer.”

For price and availability or for more information contact Dave West at Stirling Trading (UK) Ltd. on 020 8963 4790 or by email nht@stirlingtrading.com.


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Audient’s 008s help Kautzsch at Bach Time.
June 07

SFL at the CRE at Sandown Park

Würzburg, Germany - March 2007; Sound engineer Peter Kautzsch chose Audient’s ASP008 microphone preamps with ADAT output to help bring the recording of Bachchor Würzburg to life, at the recent "Würzburger Bachtage".

The experienced amateur choir gave a virtuoso performance of Mozart’s Requiem in front of a 1000-strong audience at St John's church on the first night of the festival. Kautzsch had to suspend all mics in the 1960s-built church in the Franconian city. He explains, "All eleven mics were fed through two ASP008 mic preamps".

"The Audient ASP008s are really precise compared to some other mic pres I have worked with," he explains. "The Audient's gain pots are certainly my favourite – they are very smooth and the gain range is well-distributed".
"In my experience, with louder sources it doesn't matter what preamp is used, but with soft sources or ribbon mics, the 008 is definitely cleaner," Kautzsch continues. "I was completely satisfied with the the ADAT converter, too. There was certainly nothing lacking in the sound quality."

Kautzsch posted a sample of the Mozart Requiem on the Gearslutz forum, to positive acclaim, one person describing the recording as, "Spacious, yet warm at the same time," and another, as "Complex, yet real."

The link to read all comments on the Gearslutz.com forum is as follows:
http://www.gearslutz.com/board/showthread.php?t=106842&highlight=audient

The full recording and information about the Würzburg choir is available on www.bachchor-wuerzburg.de

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SFL at the CRE
June 07

SFL at the CRE at Sandown Park

Audix mics were present at this year’s CRE (Christian Resources Exhibition) between the 14th – 18th of May. Slough based SFL showed a range of Audix including the D – Series, the HT2 and the new HT5 along with the OM vocal dynamic mics.

Dave West of Stirling also attended the show and said ”People are beginning to realise the advantages that Audix has over the ‘industry standard’ mics that are out there. Sonically, Audix are coming out on top of virtually all A-B tests, but is also the build quality that is turning peoples heads.” Dave continued “We are very pleased to have SFL on board as an Audix authorised dealer as they really do offer a wonderful service to their clients and they have done a fantastic job here at the show”.

Click here to find out more about Audix microphones

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Aphex Anaconda Model 828 due March 2007
March 07

APHEX SYSTEMS INTRODUCES MODEL 828 ANACONDA 64-CHANNEL BIDIRECTIONAL SNAKE


Aphex Systems has debuted the Model 828 Anaconda, a point-to-point 64 channel bi-directional snake designed to easily and cost effectively connect the Aphex 1788A remote controlled preamplifier system to industry standard consoles, DAWs and recorders. Aphex has set up a tiered pricing program for the Anaconda, allowing purchasers of the 1788A to add the Anaconda starting at approx £2299 for both ends and going as low as £1699 per pair depending on the number of 1788A's purchased. Aphex plans on the Anaconda being available from authorized Aphex distributors around the end of March 2007.

"We feel that the Anaconda represents a revolutionary method of signal transport, at a price point that's remarkably lower than other digital snake devices," says Marvin Caesar, Aphex President. "However, the low price belies the fact that the Anaconda is perhaps the most advanced product in this category, with fully redundant fibre transceivers and power supplies. We've been working closely with industry professionals in the development of the Anaconda, and their reaction to the product is nothing short of outstanding."

The Anaconda Model 828 is comprised of two identical units on either end of a high speed fibre run. There are eight ADAT optical inputs and outputs on each unit. Each unit has an ultra-precision crystal generating internal word clock; selectable external word clock is fed through one BNC with selectable 75 W or high input impedance; word clock distribution through eight BNCs; and one RJ-45 for control and metering/status feedback of Aphex 1788A's. Each unit has two fibre transceivers with automatic failure switching for redundancy. The transceivers use industry standard SC connectors for use with low cost, readily available multimode fibre. Two internal power supplies automatically switch if one fails. The units are designed to be mounted in the rear of a rack for ease of connection and space efficiency.

Anaconda Features:
8 ADAT inputs and outputs (64 channel bi-directional)
8 Word Clock outputs on BNC
Internal ultra-precision crystal generated word clock
External word clock reference input
Redundant transceivers for two separate fiber runs
Low latency
Easily interfaced with Aphex 1788A remote controlled preamps and digital consoles, DAWs and recorders
Industry standard SC connectors and multimode fiber
RJ-45 connectors for Ethernet control and metering of Aphex 1788A
Redundant switch mode power supplies work from 85 to 264VAC
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Audix' Cliff Castle gets behind Watford FC for FA Cup
March 07
Clif Castle, Audix Vice President of Sales at the Audix HQ in Wilsonville Oregon wearing his Watford FC shirt

Who says that Americans don't understand football?

With the FA Cup semi-finals looming, Cliff Castle (Audix Vice President of Sales) gets behind Watford FC who face Manchester Utd at Villa Park on 14th April. Maybe it is because of fellow countryman Jay DeMerit is a Watford defender or maybe because like Audix, he is constantly focused on a great performance.

You can now check out Audix at any of our authorised dealers throughout the UK.

Thanks for the pic Cliff.

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Metric Halo Announces ChannelStrip Accelebration!
March 07

Hopewell Junction, NY (March 14, 2007) – Metric Halo is pleased to announce that major updates for ChannelStrip|TDM and ChannelStrip|RTAS are now shipping. The 2.2 update is freely available to all registered OS X users of ChannelStrip and provides a large number of significant enhancements and bug fixes.

Metric Halo’s ChannelStrip has been an integral part of the sound of myriad Grammy-award winning, Gold and Platinum records, hit TV shows and blockbuster movies. Originally developed in 1998, ChannelStrip was the first plug-in to bring classic large format console-style channel processing to Pro Tools. With the first 48-bit EQ on the platform, ChannelStrip has been the critical tool for getting “the sound” for thousands of professional recording engineers, producers, composers and musicians world-wide.

ChannelStrip 2.2 is a Universal Binary, and supports Pro Tools 6.4 – 7.3 on both PPC and Intel Macs. ChannelStrip 2.2 also provides complete support for HD|Accel DSPs and PCIe cards on all Mac platforms. In addition to extending ChannelStrip support to PCIe cards and HD|Accel DSPs, ChannelStrip continues to support Mix and HD systems.

New features include:
· Support for plug-in clip-light and system wide clip indicator reset
· Support for Accel chips and 192k on TDM Accel systems
· Complete page table support for all supported control surfaces
· Universal Binary support for TDM and RTAS
· 16/8/4 mono instances per Accel chip at 1x/2x/4x rates

Notable bug fixes include:
· Fixed Gate bug at 96k on Mix and HD systems
· Fixed lack of support of PCIe systems
· Fixed DSP chip allocation bug
· Fixed window resize bug

According to B.J Buchalter, V.P. of R&D at Metric Halo, “The 2.2 release of ChannelStrip for Pro Tools systems is the best release we have had since the original introduction of the product. We know that ChannelStrip is the ‘go-to’ plug-in for a huge number of Pro Tools users and that the lack of support for many of Digidesign’s newer technologies was getting folks down. We are happy to be able to say that ChannelStrip now supports all current Pro Tools technologies and is completely rock solid. With this release we are re-affirming our commitment to the Pro Tools community, and to our loyal customers.”

“Back in the late 90's I wrote a review of ChannelStrip for Keyboard magazine and basically said its a ‘must have DSP tool!’”, says Mikail Graham of www.mikailinfo.com. Mikail continues, “Well now its 2007 and ChannelStrip since that time has stepped into the world of Apple "Audio Units" along with hot new Pro Tools HD and LE versions and more and I have to tell you its still one of my most valuable DSP tools as it covers the ground of four or five separate plug-ins and more, yet just as powerful in each department as much of the competition is in just one. If you are one of the few who haven't yet tried ChannelStrip I suggest you download it today and prepare to get happy!”

It’s an Accelebration!
In order to celebrate this major release, Metric Halo is holding a ChannelStrip Accelebration. For a limited time, (from March 14 to April 14, 2007) Metric Halo is reducing the price of new ChannelStripTDM licenses to $499 and new ChannelStripRTAS licenses to $249 – a 25% savings!

How to get it
The ChannelStrip 2.2 update is available immediately as a FREE download from Metric Halo’s website at http://www.mhlabs.com, for registered owners of OS X ChannelStrip licenses.

OS 9 Customers need to upgrade to an OS X license before they can take advantage of the improvements to ChannelStrip. Upgrades are available for $149 from Metric Halo at http://www.mhsecure.com/upgrade. The original OS 9 serial number is required to complete the upgrade.

For new customers, ChannelStrip is available from Metric Halo authorized dealers and direct from Stirling.

Additional User Quotes:
  “I've been working with the 2.2 beta of ChannelStrip for two weeks on my HD3|Accel PCI Pro Tools system, and I've been trying hard to break it. I've used it on every chip type on all the cards and it has been rock solid for me. ChannelStrip has always been a great plugin, and now, with this update, I am really happy that Metric Halo has made ChannelStrip bulletproof on Pro Tools HD|Accel.” – Morten Carlsen, AtonMusic, Engineer (PT 7.3 HD3|Accel)
   
  “Thanks for the new version of ChannelStrip! The Beta came out at just the right time for my project, and it worked wonders for my drums! I've run 12 instances in just about every song with no performance issues whatsoever! ChannelStrip 2.2 is smooth and efficient and will be a staple of my drum sounds for a long time! Keep up the great work!” – Jamin Cousins, Recording Engineer and Independent Musician (PT 7.1.1)
   
  “I deal with acoustic music recorded in one take, live without a net. My working conditions and rooms are typically far from optimal... When I get back to the studio to master and clean things up, I need a powerful channel strip for EQ and sound shaping that is as transparent as the other gear in my chain (not coincidentally, all Metric Halo) to help me achieve the best sound from my live capture. ChannelStrip is the only tool that fulfills these hefty requirements. I can't think of a live concert I've mastered that didn't have ChannelStrip in the chain; ChannelStrip is truly indispensable.” – Marc Schonbrun, Location Recording, Mastering, Audio Education (PT 7.3)
   
  “For the last four days I've been mixing using C.S 2.2 on every single track and in every possible ways that would suit the job I am finishing. No problems occurred. ChannelStrip 2.2 is rock solid as far as I'm concerned. I searched quite a few plugs to find one that would reveal the texture and tone of my tracks, and I found a few very great ones but I had to insert them in cascade. Then my dealer installed a demo of ChannelStrip on my system, and it has been on every track I cut since. Thanks to your great work [ChannelStrip], even the most intricate harmonies and texture can be revealed in a few minutes. ChannelStrip is my ultimate plugin.” – Pascal Gravante, Song writer, Producer and musician (PT 7.3 Intel)
   
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Aphex 1788A's at the Grammy's
Feb 07
Peter Gary, remote engineer tech for Effanel/XM. at the Grammy's

The second largest installation of the 1788A Remote Controlled Preamplifiers ever, performed flawlessly at the most recent Grammy Award ceremony in Los Angeles. Every note that the world heard and was recorded went through a channel of the 1788A and the on-board analog to digital converters.

96 channels each were used for the recording and for the broadcast. These units are owned by Effanel/XM and are an integral part of the L7 remote truck. Effanel is the premier remote company in the world. They base their business around the performance of the 1788A. According to Joel Singer, head of tech ops for Effanel/XM, there are other remote preamplifiers available, but they all click (the Digi pre’s explode) as the input gain is adjusted and simply do not sound as good as the 1788A.

Another 32 channels were used for the strings overflow. These units are owned by Audio Specialties in Burbank. This company rents to almost all of the reality shows and use the 1788As on almost all of them. One of the key reasons that they love the 1788As is the Miclim. Obviously, audio levels are unpredictable on a reality show and the MicLim allows every scream to be recorded without any distortion as well as capturing the low level whispers that would be lost in the noise floor of other preamps. They also love all the outputs, so regardless of what gear is being used the 1788A interfaces seamlessly.

Aphex 1788A

Another remote truck, JDM Mobile, in Atlanta has twelve 1788A’s. Jimmy Daniel, the owner, recently sent Aphex a letter stating “…the 1788As are a dream. We love them and they are the backbone of our business”.

Did you know? - The largest installation of the 1788s is the House of Commons in Ottawa Canada- 50 units.

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Audix Press Release 'DP7'
Feb 07

Audix, the leader in application specific microphones for drums and percussion instruments, has expanded its line of DP-Series mic packages. The latest pack, the DP-7, is perfect for micing a 5-piece kit for both live and studio applications.

As the name implies, the DP-7 contains 7 microphones. At the heart of the mic system is the popular D6 dynamic microphone for kick drum. For snare drum, the i-5 is provided; for rack toms there are two D2 mics, for floor tom there is a D4, and for overheads there are two ADX51 condenser microphones with pad and roll-off. Additionally there are 4 D-Vice rim-mounting clips, which eliminate the need for mic stands for snare and toms. The entire micing kit is packaged in a convenient aluminium carrying case.

The DP Series microphones, developed for professional live sound, recording, and broadcast applications, are considered by a growing number of artists and engineers to be the very best instrument microphones available today.

Audix National Sales Manager, Gene Houck, states “Audix has really pushed the frontiers when it comes to drum and instrument microphones. With the introduction of the i5 last year, and the newly improved ADX51 condenser microphones; we have raised the bar even further. It has allowed us to reconfigure out drum mic packages so that they provide further value to our customers. “

Optional accessories for the DP Series packages include right angle XLR-XLR mic cable, the D-flex mounting clip, the D-Clamp clip for lug nut mounting, and the STAND-KD pedestal mic stand for use with bass drum and guitar cabs.

Audix is a leading U.S. manufacturer of high quality dynamic and condenser microphones, wireless systems, and powered speakers for the live sound, recording, and installation markets.

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Hear Technologies
Jan 07

Hear Me Now!

At last, you, your singer, your drummer, your bassist, your guitarist and even your dog can now have your own individual mixes from a single mix. The 'Hear Back' system as long been in use in America and is now available here for your studio, church, theatre, concert or where ever you need individual mixes.

And all this starts from as little as £810 + VAT

Find out more about Hear Tech

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NHT
Jan 07

'Now Hear This' in the UK

We are pleased announce that Stirling are the UK distributors for 'Now Hear This' pro monitors. Yes, we know there is a thousand monitors out there, but on hearing the NHT M-OO's, we realised that these were something special!

Starting from only £398 + VAT (pair), the M-OO is a serious option to any pro monitor on the market today. Do not let yourself down, call and ask us for a demo so you can hear what we mean.

Find out more about NHT monitors

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The Who's Summit
Jan 07

The Who's Summit

24 years after their farewell tour ‘The Who’ are once again playing to sell out audiences around the world. The band (with Pino Palladino on bass and Zak Starkey on drums) has been playing incomparable live performances of many of their classics, along with songs from the long awaited new album ‘Endless Wire’.

Pictured left: Pete Townshend on a recent US gig jumps high enough for us to see his 2 Summit Audio TLA-100A’s in his acoustic guitar rack.

Picture by and our thanks to William Snyder 
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Stirling & SCV
Product List
Aphex
Audient
Audix
Avantone
Benchmark
Bias
Blade
Bricasti
CAD
Centrance
Digigram
ETA Systems
Fostex
Genelec
Gig FX
Hear Technologies
Hughes & Kettner
iZ
Metric Halo
Millennia
NHT
Sanken
SPL
Summit
Superlux
Terratec
Tonebone
 
Stirling Trading (UK) Ltd. Unit 5, The Chase Centre, 8 Chase Road, London, NW10 6QD. UK
Tel. +44 (0)20 8963 4790 • Fax. +44 (0)20 8963 4799